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The following statement and notes accompany the print series, As Potent as a Charm, in the current Summit Artspace Gallery exhibit, First Impressions – Celebrating the Process of Printmaking.

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Hot as a Hare
Blind as a Bat
Dry as a Bone
Red as a Beet
Mad as a Hatter

There’s a bit of whimsy in this mnemonic of the symptoms that, in combination, could indicate an atropine overdose – possibly the effects of ingesting poisonous members of the nightshade family, Solanaceae, which includes Jimsonweed, Henbane, Belladonna and Mandrake. While there is little that is whimsical about poisoning, there is definitely plenty of drama and mystery in horticultural mishaps and misdeeds. Lovely plants may be leading double lives; happy blooms and tasty vegetables have cousins that are downright deadly. Herbalists differ on the merits and dangers of various herbs. The fascinating stories from botanical history, folklore and science invite and inspire imagery.

These are the first prints of a new series titled, As Potent as a Charm, a phrase taken from Nathaniel Hawthorne’s story, Rappaccini’s Daughter. An amulet accompanies each image, although the best luck comes from never, ever ingesting unknown specimens.

The exhibited pieces are linoleum block prints. The initial drawing and design decisions are a large part of the process – determining the balance of light and dark and the ‘readability’ of the work is integral to the success of the final image. After the drawing is reversed and transferred to the block a variety of tools are used to cut the surface, leaving only the area to be printed. The relief prints in this series were hand printed with oil-based ink on Strathmore 500 Series vellum paper.

hatterdetail    charm_luckypenny

Notes on ideas and imagery . . .

As Potent As a Charm
In Nathaniel Hawthorne’s story, Rappaccini’s Daughter, the title character, Beatrice, tends her father’s botanical collection of lovely, yet lethal plants. While ‘as potent as a charm’ refers to the specimens, it could just as well describe Beatrice who, as the story progresses, becomes just as lovely and lethal as the flowers she nurtures.

Hot as a Hare
H is for Hemlock? The savvy hare would never mistake Hemlock (Conium maculatum) for its relatives in the parsley family: caraway, fennel, dill and carrots. Besides, he has the luck of four rabbit’s feet.

Blind as a Bat
Native to eastern North America, Bloodroot (Sanguinaria canadensis) has been used by Native Americans for its curative properties and as a dye. Its juice is not only red, but also poisonous. As an ornamental plant it is desirable, blooming very early in the spring. And that bat flying overhead . . . although some consider it a talisman, one can never be sure – those who fear Bram Stoker’s creations should carry some garlic when looking for Bloodroot after dark.

Dry as a Bone
Fiddleneck (Amsinckia menzies) is considered an invasive in desert locales and can be deadly to foraging livestock.

Red as a Beet
There are numerous literary references to the Mandrake (Mandragora officinarum) in volumes as diverse as the Bible, Shakespeare’s plays and Harry Potter. It’s hard not to be intrigued by the Mandrake, who, when its roots are unearthed, emits screams that kill all who hear them – better have some powerful Mojo in your possession should you be within earshot. With the exception of its fruits, all parts are poisonous.

Mad as a Hatter
The mercury once used in the manufacture of felt has been attributed to the madness that inflicted hatters, but the overall craziness could also be symptomatic of poisoning from Datura (Datura stramonium). Its other name, Jimson Weed, shortened from Jamestown Weed, refers to the Virginia settlers who dosed the invading British soldiers’ food, causing them to behave like lunatics for days while the colonists regrouped.

Only Red as a Beet and Mad as a Hatter actually refer to plants that contain atropine (Mandrake and Datura, respectively).

Delving into the botanical dark side has been engrossing, and there are so many more bad seeds . . . lately I’ve been thinking about Monkshood and its Aconite family, the bane of wolves, leopards and women, along with the Castor Bean plant (ricin?!) and that holiday favorite, Mistletoe!

~ Joan Colbert 2013

When Dan Coffield decided to name his printmaking exhibit First Impressions he used the line, “You never get a second chance to make a first impression,” originally from Will Rogers or maybe Oscar Wilde or possibly Mark Twain. No matter whose quote, it’s good advice.

It’s also a good thing to keep in mind when installing a gallery show – the initial look of the overall space is as important as the individual elements. Dan did a fine job selecting the artists and arranging all of the printmakers work – the fine review from Dorothy Shinn in the Akron Beacon Journal was well deserved:

“It was important for me to make sure that First Impressions showed how versatile, flexible and creative printmakers really are,” Coffield said.

He has done an excellent job at that. From Joan Colbert’s meticulous notations on her “mnemonic” aphorisms, to Pamela Testa’s demonstration of how she went about printing the American Elm in Relief, to Charles Beneke’s essay on global warming, we are given key insights into the mind of the contemporary printer.”

On a personal note, I couldn’t be more pleased with the commentary on my work:

“Colbert, whose work is as always clear-eyed as well as deceptively charming, offers us a means to an end.

She writes: “There’s a bit of whimsy in this mnemonic of the symptoms that, in combination, could indicate an atropine overdose — possibly the effects of ingesting poisonous members of the Nightshade family.”

The mnemonic happens to be the titles of her prints: Hot as a Hare, Blind as a Bat, Dry as a Bone, Red as a Beet and Mad as a Hatter. Each is done as a linocut block print, and consists of wonderfully drawn and printed images of the titular object.”

Dorothy Shinn writes about art and architecture for the Akron Beacon Journal. The full review, accompanied by images, can be read here.

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pedestal

aits logo       aits porchrokr logo

Art in the Square meets PorchRokr
Art and Music Festival
Saturday, October 12, 2013

No amount of exclamatory punctuation would be sufficient in describing the latest version of Art in the Square in the Highland Square neighborhood of Akron, Ohio. Organizers combined the original art festival with the amazingly successful PorchRokr event from early June to present an art and music festival like no other . . . and the weather cooperated!

Because my house is right in the midst of the footprint I saved all the transport effort and set up in my driveway. Bands and musicians were everywhere, or so it seemed. There was a marvelous vibe in the air and an estimated 6000 delighted visitors. No wonder the Highland Square website address is ilovethesquare.com!

Photos are available on Facebook and here, too. Here are a few of mine:

set-up

easiest set-up ever!

set-up+rug

early morning view

micah     driveway

driveway artist and artwork

dancers

strolling dancers

Thanks to all who helped make this day happen – with special appreciation and congratulations on a phenomenal job to Anita, Mark and Ron. Wow!

 

hands

As part of National Craft Week and the opening of their fall show, Don Drumm Studios & Gallery schedules afternoon workshops throughout the week. It was a lovely autumn afternoon for my Monotype Printmaking session – in fact, the warmth significantly shortened the working time of the water-based inks. No complaints, though, as October in Ohio can unpredictable.

workshop group - drumm 2013     monotypes

 

october hut

October Hut
block print

It’s October, so the studio had plenty of autumn cards, a couple seasonal prints and, of course, Halloween candy for last night’s artwalk.

The big excitement was the finale of the Akron Art Prize. Winners were announced during the closing party at the Akron Art Museum: first place went to Christopher Kovacevich for the self-portrait, Me, in Lipstick.

Tom Baldwin’s wood carving, Eastern Screech Owl Gray, was fourth runner up. His owl will be leaving Summit Artspace, so it’s fortunate that his work is accessible on his web site, Song of Wood.

2013akronart_baldwin_dap

photo courtesy of Downtown Akron Partnership

 

Two to go

dry as a bone

Dry as a Bone
block print

Because cacti are not usually poisonous, Fiddleneck was the plant of choice for Dry as a Bone. It’s invasive and can be deadly to livestock foraging in barren areas where it thrives.

From the start I knew that Red as a Beet would have to feature the Mandrake. Because I had the complete image already in mind it was left for last. Bad planning. It took three tries to create a print where the groping Mandrakes and the blushing beet appeared to be underground!

red as a beet

Red as a Beet
block print

Mad as a Hatter

Lewis Carroll’s Alice in Wonderland provided us with an iconic mad hatter. In fact, it’s hard to imagine a hatter that doesn’t look like Sir John Tenniel’s illustrations. More recently, in the 2010 movie, Alice in Wonderland, Johnny Depp’s interpretation left viewers with a similarly memorable personage. So when it came to creating the image for Mad as a Hatter, it was difficult to avoid the obvious – at least until I decided to scrap the stack of drawings (too reminiscent of both John and Johnny) and go for a hatter that is crafty and just a bit crazy.

mad as a hatter detail

Datura, chosen for its likelihood of bringing on symptoms of madness, provides the hatter with a handy pincushion/seed pod!

mad as a hatter

Mad as a Hatter
block print

The mercury once used in the manufacture of felt has been attributed to the madness that inflicted hatters, but the overall craziness could also be symptomatic of poisoning from Datura (Datura stramonium). Its other name, Jimson Weed, shortened from Jamestown Weed, refers to the Virginia settlers who dosed the invading British soldiers’ food, causing them to behave like lunatics for days while the colonists regrouped.

Blind as a Bat

Second in the Potent as a Charm series . . . Blind as a Bat!

blind as a bat

Blind as a Bat
block print

Native to eastern North America, Bloodroot (Sanguinaria canadensis) has been used by Native Americans for its curative properties and as a dye. Its juice is not only red, but also poisonous. As an ornamental plant it is desirable, blooming very early in the spring. And that bat flying overhead . . . although some consider it a talisman, one can never be sure – those who fear Bram Stoker’s creations should carry some garlic when looking for Bloodroot after dark.

Image area is 4 1/2 x 9 inches.

A lightweight packing skid topped with thin board makes a great surface for some painting fun. Isaac came over and created a marvelous painting which will definitely liven up the deck decor!

isaac at work    great job!

Hot as a Hare

hot as a hare

Hot as a Hare
block print

H is for Hemlock? The savvy hare would never mistake Hemlock (Conium maculatum) for its relatives in the parsley family: caraway, fennel, dill and carrots. Besides, he has the luck of four rabbit’s feet.

The finished print has the hare under the night sky and his constellation, Lepus. Image measures 4 1/2 x 9 inches.

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